Orchestrations for Broadway, Theater, Concert and Film
To answer your questions about what I do, use the page menu above.
Music Clips on the Audio page:
MP3 clips and Playlists (by musical style) of my orchestrations from various projects. Check them out!
And.... Video Clips on the (new) Videos page: Click here.
2017 Drama Desk Nomination (Best Orchestrations): War Paint
Awards: TONY and Drama Desk Awards: The Light in the Piazza (co-award with Ted Sperling and Adam Guettel) OBIE Award Floyd Collins
Previous nominations: TONY Award: Grey Gardens, Urinetown Drama Desk: First Daugher Suite, Giant, 9 To 5, Grey Gardens, Urinetown, Floyd Collins, The Sound of Music, See What I Wanna See, The Burnt Part Boys
Other Awards: Shen Family Foundation Musical Theater Leadership Award
30 Years of Christmas (30 Años de Navidad) (orchestrations: Hochman/Coughlin) (MISI Productions/Bogotá, Colombia) Concierto Davivienda de Navidad 2018 (orchestrations: Hochman/Coughlin)
(orchestra of 100 players, choir of 200; Bogotá, Colombia)
9 to 5 (Dolly Parton/Resnick; Jeff Calhoun, dir) (London West End: Savoy Theatre) The Flamingo Kid (Frankel, Freedman; Darko Tresnjak, dir) Knoxville (Stephen Flaherty/Lynn Ahrens) (Spring 2020) Nancy Drew: The Musical (Jeff Thomson/Jeremy Desmon)
The Rivals (Weiner, Kellogg; Eric Tucker, dir) (Bucks County, PA) Ordinary Days (Adam Gwon; The Clurman Theater (Off-Broadway)) Carnegie Hall Gala ("Fable", "Children Will Listen/You've Got To Be Carefully Taught", "Save the Country" (Laura Nyro)) --
(Michael Tilson Thomas, Renée Fleming, Audra McDonald) The Royal Family of Broadway (William Finn, Rachel Sheinkin; John Rando, director. Barrington Stage) War Paint (Frankel, Korie, Wright; Michael Greif; Nederlander Theatre, Broadway) Amélie (Messé/Tysen/Lucas; Walter Kerr Theater, Broadway) Morning Star (Ricky Ian Gordon/William Hoffman) (OnSite Opera, NYC) Legendale (Daly/Bienstock; Fredericia Teater, Denmark) The Grapes of Wrath (Ricky Ian Gordon/Michael Korie) Opera Theater of St Louis
New!Arias and Barcarolles (Bernstein; San Francisco Symphony, Michael Tilson Thomas; Isabel Leonard, Ryan McKinny) (SFS Media) Renée Fleming CD - Broadway (1 song: "Children Will Listen/You've Got To Be Carefully Taught")
(Decca Classics; Rob Fisher, cond.) Nadine Sierra CD - There's A Place For Us (1 song: "Jeannie With The Light Brown Hair")
(Deutche Grammophon; Robert Spano, cond.) Audra McDonald CD - Sing Happy (1 song: "Make Someone Happy") (Decca Gold) War Paint (Frankel, Korie) (Ghostlight Records) Click here to view the "Back On Top" teaser video Amélie (Messé, Tysen) (Parlaphone/Warner Music) Click here to view the "making of" promo video On the Twentieth Century (4 songs: "Five Zeros", "Our Private World", "Because of Her", "Max Jacobs") Something Rotten (1 song: "Right Hand Man") (Sh-K-Boom) On the Town (1 song: "Gabey's Comin'") (PS Classics) 27 - An Opera in Five Acts (Ricky Gordon/Royce Vavrek)
(Stephanie Blythe, Elizabeth Futral. Opera Theatre of St Louis, Michael Christie, conductor) (Albany Records)
1 / 5
Arias and Barcarolles (Bernstein; Michael Tilson Thomas and the San Francisco Symphony) (SFS Media)
This recording features a version orchestrated by Bruce Coughlin; it is truly masterful. Bruce, one of Broadway’s genius arrangers, has such a sense of the sound
of Broadway and the sound of Bernstein. It is everything that Bernstein would have wanted it to be.
(Michael Tilson Thomas, in the liner notes to the 2018 recording).
Mr. Coughlin's orchestration for "Grey Gardens" is ambrosia — I have been addicted to the CD for months. He has the woodwinds, in particular, burbling and blending and commenting on the songs in an intoxicating way — what that man can do with a bassoon alone. He is a Michelangelo of orchestration.
John McWhorter (Manhattan Institute) in an editorial commentary in the New York Sun (6/14/2007) about the 2007 TONY award for Best Orchestration.
3 / 5
Far From Heaven (Michael Korie/Scott Frankel) (PS Classics)
Frankel's music and Korie's lyrics soar again and again and again; Far From Heaven offers a feast of glorious musical theatre writing...well supported by a stunning set of orchestrations from Bruce Coughlin, who did a similarly fine job on last winter's Giant.
...this superlatively acted production is as thrilling as it is bone-rattling... As nimbly orchestrated by Bruce Coughlin for an eight-piece orchestra, under the lucid musical direction of Alan Williams, it unfurls like a tattered flag rippling in an icy wind.